![]() ![]() This is due, in part, to the fact that they have a much lesser connection to the development of the narrative, especially the ending that involves the revelation of Ghostface(s). In addition to the fact that many opinions are repeated from previous movies, the impact isn't the same. Franchises and the subversion of expectations are precisely the main themes addressed within the satirical dialogue between many of the characters, but Scream VI lacks assertiveness in these conversations. Unfortunately, the third act is one of the most disappointing of the entire Scream saga so far. The first two acts have everything I wanted as a fan of these films… ![]() ![]() Her chemistry with Barrera couldn't be better, both helping each other to make the story as captivating as possible. From her intense expressiveness to huge emotional range, Ortega quickly became one of those names whose mere presence alone is enough to convince me to see a movie. Along with the exceptional Mia Goth, the young actress is the sensation of the moment and shows why in Scream VI. Nevertheless, Jenna Ortega is playing in another league. It's a pity that Samara Weaving and Tony Revolori have so little screentime. Jasmin Savoy-Brown (as Mindy) and Mason Gooding (as Chad) contribute with their tremendous charisma and irony, with Dermot Mulroney (as Detective Wayne) being the highlight when it comes to new characters. For those who might've doubted Melissa Barrera, the actress demonstrates all her talent by leading this sixth film superbly, taking advantage of the mental instability of her character, Sam Carpenter, to show two versions of herself. Still, it's the main performances that really elevate Scream VI. There are a few moments to stop and breathe, making the two hours or so pass by relatively quickly due to non-stop entertainment. Even composers Brian Tyler & Sven Falcouner's score feels more complex as it incorporates classic tracks with new music. ![]() All with the aim of giving regular viewers reasons to keep coming back while also hopefully winning over new fans. The budget went up by $10M, the cast is larger, the chase sequences are even longer, the kills are much more violent, and the levels of gore have never been this brutal. In fact, everything is "more" or "bigger" in Scream VI. The subway, shops, an abandoned theater, the city's streets and alleys, big and small apartments… the new sets contain several references to all previous movies, helping expand the scale of the current one. New York City being the main location of this sequel's story is not only incredibly refreshing, but it also offers many opportunities for the new Ghostface(s) to torment their victims. Scream VI ultimately fails in this aspect, but I'd rather start with what directors Matt Bettinelli-Olpin & Tyler Gillett (also known as the director duo team " Radio Silence") and screenwriters James Vanderbilt & Guy Busick actually manage to get right. For me personally, the best installments of the saga manage to efficiently mix said meta commentary with a slasher narrative, which the original flick and Scream (2022) perform exemplarily. From the countless formulas used by Hollywood to the impact of social media on viewers' expectations, Scream stands out for its often thought-provoking ideas. Obviously, I can't speak for all fans of the saga, but I believe that one of the most appealing features of these films is the meta commentary on cinema itself, especially the horror genre. One year later, does Scream VI live up to expectations or does it fail to capitalize on the wave of enthusiasm that its predecessor created? Nowadays, if an original film without any intentions of creating a new saga of sequels, prequels, and spin-offs, ends up with the slightest commercial and financial success, it's only a matter of time before rumors of follow-up movies become a reality. The horror franchise Scream rising from the ashes is hardly a surprise, but its return last year (with the entry titled Scream from directors Matt Bettinelli-Olpin & Tyler Gillett) was so well received that many – myself included – consider it the best sequel in the franchise. We live in the Franchise Era, and I doubt that anyone would attempt to claim the opposite. ![]()
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